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Table of Contents from : 'Guitar Playing and how it works' © Peter Inglis 2003Read about the features and browse the contents below...Guitar Playing and how it Works - what is it about? Title Page Dedication Table of Contents Introduction - 2 - 3 Chapter 1 - Your Body is the instrument What is the Alexander Technique? Connect with your spine Sitting with the Guitar
Tuning Natural Harmonics. Strumming Thumb in a Circle Thumb and Gravity Rippling and Stroking Become aware of your joints Rocking the forearm Fingers of the right hand A Natural hand position One Impulse - 4 notes Adding energy to the strum - Rasgueado Rasgueado and Stroking together Continous rasgueado Combining rippling and rotation Adding energy to the melody - Tremelo Practicing the tremelo Applying tremelo to a melody - more Applying the tremelo fingering to scales Timbre Volume Dynamics Articulation Right hand - The Basics Fingers all together Different colours - the Plectrum Chapter 3 - Rhythm is Movement Walking Sway Skip Run Marching Chapter 4 - Left Hand - tight rope walker Expand into one note Left hand on one string Expanding body and weightless arms Expansion and embrace One Coordinated Gesture Chords with Simple Presentations Chords with Mixed Presentations Chapter 5 - Scales on One String Scales on one string Symbols explained On the G string - Twinkle twinkle Temporary Displacement Left hand Fingering explained Major Scales on 1 String Harmonic Minor Scales on 1 String Melodic Minor Scales on 1 String Chapter 6 - Tonic and Dominant - Major keys C Major - the whole sequence How to use the Material Your Brain A Simple Chord Arpeggio within the Octave Two Octave Arpeggio Scale to the Ninth Scale in 2 Octaves Dominant Seventh Arpeggio The sequence in all major keys Chapter 7 - Tonic and Dominant - minor keys The same formula including the Harmonic minor and Melodic minor scales Chapter 8 - Chromatic and Diminished Chromatic scales and the Diminished 7th chord A Diminished melody Chapter 9 - Putting it all together "Concentration" Recipe for fine playing Finger Independence Holism and reductionism Mental States Making up your own practice material Baroque to Rock - Vivaldi Bach rocks too! Some parting thoughts Credits The dancers : Bruce Henries Lisa-Jane Holt Jane Scali's Performing Arts Centre Bibliography The Author Reviews review by Martin Finnegan for the "Australian Alexander Teachers Journal" Reza Ganjavi's review of "Guitar Playing and How it Works" Philip Hii's review of "Guitar Playing and How it Works"
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Content of "The Whole Guitarist" website www.thewholeguitarist.com is copyright © 1997 - 2008 by Peter Inglis, Sydney Australia. All rights reserved. |
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