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10.6: Major Scales in all Keys

I will use the major scales to demonstrate varieties of expression, and the minor scales to demonstrate varieties of articulation. Apply any and all of the examples to all of the scales.

Play the scales slowly, with a singing, full tone and connected sounds.

Here is a quite standard expression:

© 2007 Peter Inglis - This image is an extract from ©Guitar Playing and How it Works© 3rd Edn. ISBN: 978-0-9804592-0-3

Learn the most common combinations of expression and dynamics first. Step out the scale.

Melodies usually get louder as they ascend, and usually get softer as they descend.

© 2007 Peter Inglis - This image is an extract from ©Guitar Playing and How it Works© 3rd Edn. ISBN: 978-0-9804592-0-3

Use dynamics.


Melodies usually get louder as they ascend, and then become softer as they descend.
© 2007 Peter Inglis - This image is an extract from ©Guitar Playing and How it Works© 3rd Edn. ISBN: 978-0-9804592-0-3

Generate timbre.

e.g. Clarinet: Pluck the string 12 frets above the fretted note, and at an angle of about 45 degrees to the string.
© 2007 Peter Inglis - This image is an extract from ©Guitar Playing and How it Works© 3rd Edn. ISBN: 978-0-9804592-0-3

You might want to practice all these expressions first in one of the easier keys: E Major, A Major, D Major or G major.



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